Morgan Herndon, of Arkansas-based MCH Artwork, offers a distinct style of art through her
use of traditional acrylic brushwork followed by whimsical color drips of latex paint.
Embracing the organic elements of her drips, she recognizes clearly that she is bringing life to
her art by allowing, rather than controlling, the paint. She highlights and identifies each of her
drips by outlining them, creating order from the chaos. Resonating with her subjects in a way
that is fresh and modern, she allows the viewer to transform their view of everyday ‘art’, into a
deeper connection of delight.
Morgan began her journey into painting as a means of finding light in tragedy. In 2010, she experienced heartache after losing her first husband to suicide.. Raising three young boys at the time, she found a quiet canvas as a way to process her pain. This processing became the cornerstone to her creativity. Her mission was clear- for herself and others to accept the sorrow and pain in life, but to not stop there. Her art creates joy and light as reminders for all of us to continue forward in any circumstance.
Hailing from Little Rock, Arkansas, and possessing a voice the Onion A.V. Club warns “knocks your brain into the back of your skull,” Adam Faucett has drawn comparisons from Tim Buckley to Cat Power to Otis Redding.
Called “one of the greatest, most thoughtful lyricists the state has to offer,” (Arkansas Times) Faucett has again pushed the borders of his “part folk, part blues, part elemental rock stomp, part unidentifiable cosmic holler” (Arkansas Democrat-Gazette) with the release of It Took the Shape of a Bird, a record of his most personal, unbodied, and darkly beautiful songs to date.
Faucett began performing solo in 2006 when the demise of Russellville, Arkansas-based band, Taught the Rabbits, pushed him toward Chicago. He returned to Arkansas in 2007 to record his first solo album, The Great Basking Shark, and began touring nationally. 2008’s Show Me Magic, Show Me Out followed, featuring Faucett’s band, The Tall Grass, and a relentless tour schedule soon led to shows with Jason Isbell, Damien Jurado and Lucero.
2011 saw the release of More Like A Temple, which received praise from outlets including American Songwriter, Paste Magazine, No Depression and Uprooted Music Review. Temple also gained overseas support, landing at #14 on the EuroAmericana chart and received 5 stars from Altcountry.NL, bringing Adam to Europe for the first time.
2014’s Blind Water Finds Blind Water—Faucett’s first release with Last Chance Records—was named to American Songwriter’s “Top 50 Albums of 2014,” and found him back in Europe. In addition, he spent time as international and national tour support for Chuck Ragan, Austin Lucas, King Buzzo, The Bottle Rockets and Pallbearer.
Faucett’s latest record, It Took the Shape of a Bird (Last Chance Records), is available on all platforms and was named to Pop Matters' "Top 20 Americana Albums of 2018. His fifth solo album, it’s also his most personal and heaviest. From opening track “King Snake,” it wastes no time immersing the listener into a world of murky storytelling fueled by true, though often skewed accounts, wherein Faucett’s moving, heartrending melodies breathe life into a cast of tragic and historic characters and locales: a World War II-era orphan, Louisiana gris gris girls, a biker’s funeral procession, a friend struggling with faith and addiction, and even the Mackay Bennett—the ship which recovered most of the bodies from the Titanic disaster.
Bird delves deep into the spiritual and examines the creation of art, and the artist. Its backdrops are disparate, ranging from rural Arkansas to the dust clouds of deep space. And its moments of lilt are bolder due to its d